Best Lenses for Canon EOS 1D X Mark III in 2020
Looking for the best lenses for Canon EOS 1D X Mark III? Here is the guide for you to get the top recommended lenses for Canon 1DX Mark III DSLR camera.
Having the best Auto-focus System, the superior image quality with new imaging system introduced and top of class video specification, the Canon EOS-1D X Mark III flagship DSLR is being completely re-engineered and re-designed based on feedback from the worldwide community of professional photographers using EOS-1D X Mark II and EOS-1D X. Featuring a newly designed 20.1MP full-frame CMOS sensor and updated DIGIC X image processor, the Canon EOS-1D X Mark III (Amazon, B&H, Adorama) is capable of continuous shooting rates up to 16 fps with the optical viewfinder or 20 fps in live view, with a 1000-shot buffer when shooting raw+JPEG. And it has the ability to internally record 5.5K RAW video and uncropped 4K 60p derived from the original 5.5K readout in Canon Log with 10-bit 4:2:2. Canon Log allows users to record 4K and 1080p video files with up to 12 stops of High Dynamic Range and wide exposure latitude, making it simple to coordinate color settings with other Canon cameras in multi-camera set-ups. Continuing Canon’s rich heritage of creating first-class optical products, the Canon EOS-1D X Mark III is a masterpiece with the finest performance in EOS-1D series history ever for professionals in different fields including extreme sports, wildlife, photojournalism and commercial photography and video production.
Choosing the right lens is not always an easy task. Here we looked at all lenses from Canon and other companies and selected the best lenses for Canon 1D X Mark III DSLR camera based on good price, usefulness and high image quality, including leading prime and zoom options from wide-angle to telephoto for portraits, wedding, landscapes, street, macro, videos, sports and wildlife and more.
Best Lenses for Canon EOS-1D X Mark III in 2020
Full List of Recommended Canon 1D X Mark III Lenses: To help you decide on the best lens for your intended use, I have categorized the lenses into the following groups. You can click any of the below links to jump to the type of lens that interests you the most. Just choose the one you need!
All-in-one Lens | Indoor Sports Lenses | Outdoor Sports & Wildlife Lenses | Travel Lenses | Portrait Lenses | Macro Lenses | Standard Zoom Lenses | Standard Prime Lenses | Wide-angle Zoom Lenses | Wide-angle Prime Lenses
Best All-in-one Lens for Canon EOS-1D X Mark III
- Focal Length: 28-300mm
- Maximum Aperture: 1:3.5-5.6
- Lens Construction: 22 elements in 16 groups
- Inner focusing system with USM
- Push-pull type zoom system
- 77mm filter size
- Handy, compact zoom lens for versatile and easy subject selection while travelling
- Incorporates Canon’s Image Stabilization (IS) technology. Diagonal angle of view is between 75 – 8°15′ degrees
- Powerful ring-type USM drive provides silent, high-speed autofocusing
- Optimized to suppress ghosting and flaring, ideal for use with digital cameras
- 1 year Limited Warranty Card Included
This handy, compact Canon EF 28-300mm f/3.5-5.6L IS USM Lens is the best Canon do-everything-with-one-lens lens available. With an ultra-high 11x zoom range covering everything from wide-angle to super-telephoto, the Canon EF 28-300mm f/3.5-5.6L IS USM Lens is the right choice for those looking for just one lens to do everything he need without image quality compromised, including portraits, landscapes, travelling, outdoors sports, zoo animals, wildlife, flowers, sunsets, and documentary photography. This lens offers the highest optical performance in its class, plus the convenience of focusing as close as 2.3 feet over the entire zooming range. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to three shutter speed stops to better enable working in low-light conditions and with slower shutter speeds. A ring-type Ultrasonic Motor (USM), along with an internal focusing system, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Fast, accurate, quiet auto focusing, extremely easy to use, and chromatic aberrations, vignetting, and distortions are pretty much well under control. On the drawback, this len is overwhelming, push-pull zoom design and a little expensive!
|Canon EF 28-300mm f/3.5-5.6L IS USM||$2,449||Amazon|
Best Indoor Sports Lenses for Canon EOS-1D X Mark III
- Constant f/2.8 Maximum Aperture throughout Entire Zoom Range.
- Canon’s Air Sphere Coating (ASC) Minimizes Ghosting and Flare.
- Optical Image Stabilization at up to 3.5 Stops of Shake Correction.
- Fluorine Coating on Front and Rear Elements to Help Reduce Smears and Fingerprints.
- Highly Resistant to Dust and Water, and Improved Durability Even in Harsh Conditions. Inner Focusing System with Ring Ultrasonic Motor. Full-time Manual Focus.
- One Fluorite Element and Five UD Elements for High Image Quality. Minimum Focusing Distance of 3.9 ft./1.2m. Diagonal Angle of View: 34° – 12°
Five stars! One of the most versatile lenses available, the Canon EF 70-200mm f/2.8L IS III USM delivers outstanding performance with a constant f/2.8 maximum aperture for fast shutter speeds and beautiful background blur, and Canon’s Air Sphere Coating (ASC), which combines with enhanced Super Spectra Coatings to significantly reduce lens flare and ghosting. Ideal for a variety of subjects ranging from portraiture to sports, the fast constant f/2.8 maximum aperture excels in difficult lighting conditions and also offers increased control over depth of field for isolating subjects. Combined with its 8-blade circular aperture, the EF 70–200mm f/2.8L IS III USM lens is engineered to capture dramatic images with gorgeous background blur. The optical layout makes use of one fluorite element and five UD elements to suppress chromatic aberrations and color fringing in order to realize a high degree of clarity throughout the zoom range. An Optical Image Stabilizer helps to minimize the appearance of camera shake by up to 3.5 shutter speed stops to better enable working in low-light conditions and with slower shutter speeds. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. In addition, the sturdy, weather-sealed body makes it ideal for shooting outdoors under challenging environmental conditions. Ideal for multiple forms of photography: weddings, portraits, wildlife, street, and sports.
- Fluorite & Ultra-Low Dispersion Elements
- 200mm focal length
- f/2 maximum aperture
- 12° diagonal angle of view
- 6.2 ft. / 1.9m closest focusing distance
- Super Spectra Coating
An exceptionally fast medium telephoto prime, the Canon EF 200mm f/2L IS USM lens is ideal for portraiture as well as indoor sports shooting or other low-light, fast-motion applications. The large f/2 maximum aperture benefits working in difficult lighting and also afford extensive control over depth of field for isolating subject matter using selective focus. The inner USM and optimized AF algorithms result in fast and quiet autofocusing, and the circular aperture can even produce beautiful out-of-focus images. Complementing the imaging capabilities, this 200mm f/2 also features a four-stop-effective Image Stabilizer system that minimizes the appearance of camera shake for sharper handheld shooting. So, the Canon EF 200mm f/2L IS USM lens is really amazing and it outstanding for many available-light applications, including indoor sports, theater work, fashion and candids at events. If you can’t afford it, you can consider the cheap EF 200mm f/2.8L II USM version ($749).
- The fastest 135mm telephoto lens in its class
- 135mm focal length
- 1:2.0 maximum aperture
- 18 diagonal angle of view
- 0.9m / 3 ft. closest focusing distance
- Micro UltraSonic Motor (USM)
- Two Ultra-Low Dispersion Elements
- Super Spectra Coating
- Lens construction (elements/groups) : 10/8
- Ultra-low Dispersion glass with Fluorite elements; inner focusing ring
The fastest 135mm telephoto lens in its class. Ideal for indoor sports and portraits with background blur. The Canon EF 135mm f/2 L USM is a fast, lightweight, high-quality telephoto lens and it is an ideal tool for capturing indoor sports in low-light conditions and for shooting portrait photography. The long focal length coupled with the f/2 maximum aperture afford a great deal of control over depth of field for isolating subject matter and using selective focus, and the bright aperture also benefits shooting handheld in low-light conditions. In regard to the optical design, the lens uses two ultra-low dispersion elements to control chromatic aberrations and color fringing for high clarity, and a Super Spectra coating has also been applied to suppress flare and ghosting for increased contrast and color accuracy. Complementing the imaging attributes, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control. In addition, this Canon EF 135mm f/2 L USM lens is compatible with optional EF 1.4X and EF 2X teleconverters.
Tamron SP 70-200mm f/2.8 Di VC USD G2 ($1,299): Excellent lens with stellar image quality and performance! This new SP 70-200mm F2.8 G2 (Model A025) reimagines the highly acclaimed Model A009 with enhanced optical performance, improved VC (Vibration Compensation), faster AF speed and accuracy, and shortened MOD (Minimum Object Distance) for greater flexibility. What’s more, compatibility with Tamron tele converters provides additional focal length. In regard to optics, an improved layout contains one XLD element and five LD elements to suppress color fringing and chromatic aberrations for notable clarity and color accuracy, and both BBAR and eBAND coatings have been applied to reduce flare and ghosting. Characterized by its bright f/2.8 constant maximum aperture, as well as sophisticated optical and physical designs, the Tamron SP 70-200mm f/2.8 Di VC USD G2 lens is ideal for travel, street, landscape, portraits, weddings and sports photography.
Canon EF 70-300mm f/4-5.6L IS USM ($1,349): Excellent Lens! Designed to deliver ultra-high quality images along with lightning fast operation, the Canon EF 70-300 f/4-5.6L IS USM telephoto zoom lens brings a favorite zoom range to the celebrated Canon L-series of lenses. It features two Ultra Low Dispersion (UD) elements for improved image quality and reduced chromatic aberration, incorporates a floating focusing mechanism for sharpness from close up to infinity, plus an IS system that increases usability by approximately four stops. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. Offering excellence performance with a versatile zoom range and superb image quality in a robust and compact design, the Canon EF 70-300mm f/4-5.6L IS USM lens is suitable for nature, landscape, sports and travel photography. If you frequently shoot in low light condition, you can consider the EF 70-200mm f/2.8.
|Canon EF 70-200mm f/2.8L IS III USM||$2,099||Amazon|
|Canon EF 135mm f/2L USM||$999||Amazon|
|Canon EF 200mm f/2L IS USM||$5,699||Amazon|
|Canon EF 200mm f/2.8L II USM||$749||Amazon|
|Canon EF 300mm f/2.8L IS II USM||$6,099||Amazon|
|Tamron SP 70-200mm f/2.8 Di VC USD G2||$1,299||Amazon|
|Canon EF 70-300mm f/4-5.6L IS USM||$1,349||Amazon|
|Canon EF 70-200mm f/4L IS II USM||$1,299||Amazon|
Best Outdoor Sports and Wildlife Lenses for Canon EOS-1D X Mark III
Below are the best super telephoto zoom lenses for outdoor sports and wildlife photography:
- Compact, high performance L-series super-telephoto zoom makes it ideal for sports and wildlife photography.
- One fluorite and one super UD lens element provides excellent correction of chromatic aberration throughout the entire zoom range, helping to deliver high-quality images with high resolution and contrast.
- Rotation-type zoom ring allows for more precise composition and excellent balance when handholding.
- Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing.
- Optical Image Stabilizer provides up to four shutter speed steps of correction.
- Three image stabilization modes (standard, panning, and during exposure only) provide outstanding results for a wide range of shooting situations.
- Improved zoom torque adjustment ring allows easy setting of zoom tension.
- New Air Sphere Coating (ASC) helps to significantly reduce backlit flaring and ghosting.
- Highly resistant to dust and water, and amazing durability enabling shooting even in harsh conditions.
- Circular aperture (9 blades) helps deliver beautiful, soft backgrounds.
- Fluorine coating on front and rear lens surfaces helps reduce smears and fingerprints.
- Lens hood with side window permits specialty filters to be adjusted with hood in place.
- Newly designed tripod mount can be attached or detached without removing the lens from the camera.
- Minimum focusing distance of 3.2 ft. / 0.98 m with 0.31x maximum magnification.
Five Stars, ideal lens for sports and wildlife photography! The Canon EF 100-400mm f/4.5-5.6L IS II USM telephoto lens delivers a superb combination of cutting-edge performance, compact construction and brilliant resolving power that’s great for sports and wildlife photography. The telephoto lens features one fluorite and one super UD element to help provide impressive contrast and resolution with reduced chromatic aberration across the entire zoom range. Canon’s new Air Sphere Coating (ASC) helps significantly reduce backlit flaring and ghosting, while fluorine coatings on the front and rear lens surfaces help lessen smears and fingerprints. A 9-blade circular aperture renders beautiful, soft backgrounds, and a 3 mode (standard, panning and exposure only) Optical Image Stabilizer provides up to 4 steps of image correction. The Canon EF 100-400mm f/4.5-5.6L IS II USM telephoto lens is equipped with a new inner focusing AF system to help ensure fast and accurate focus down to 3.2 ft. with a .31x maximum magnification. Usability enhancements include a rotation-type zoom ring with adjustable zoom torque for more precise, customizable zoom performance, a redesigned tripod mount that can be attached and detached without removing the lens from the EOS camera, and an all-new lens hood with a side window that makes it simple to adjust specialty filters-like polarizers-without the need to remove the hood. Ruggedly constructed with advanced dust and water sealing for durability in a range of environments, the Canon EF 100-400mm f/4.5-5.6L IS II USM telephoto lens is a stellar performer with refined controls for a wide variety of situations.
- Focal Length & Maximum Aperture: 200-400mm 1:4 with extender off, 280-560mm 1:5.6 with extender on
- Lens Construction: 25 elements in 20 groups (incl 1 rear filter) with extender off, 33 elements in 24 groups (incl 1 rear filter) with extender on
- Diagonal Angle of View: 12°-6°10′ with extender off, 8°50′-4°25′ with extender on
- Focus Adjustment: Inner focusing system
- Closest Focusing Distance: 6.6 ft. / 2m
- One fluorite and four UD lens elements provide excellent correction of chromatic aberration throughout the entire zoom range, delivering high-quality images with high resolution and contrast
- Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing
- Optical Image Stabilizer provides up to four shutter speed stops of correction
- Three image stabilization modes (standard, panning, and during exposure only) provide excellent results for a wide range of shooting situations
- Filter Size: 52mm drop-in
- Max Diameter x Length, Weight: 5.0 x 14.4 in/128mm x 366mm, 127.7 oz/3620g
Best “Slow” Telephoto Zoom Lens! Designed to satisfy the discriminating needs of sports and wildlife photographers, the Canon EF 200-400mm f/4L IS USM Extender 1.4x is a high-performance super telephoto zoom lens with an optically matched built-in 1.4x extender for maximum versatility. Featuring a built-in 1.4x extender, you can quickly and intuitively switch between the native 200-400mm f/4 setting and an effective 280-560mm f/5.6 for greater reach. This capability is extremely useful in applications where it is not possible to change lenses quickly, while also protecting delicate equipment such as a digital SLR camera’s image sensor in environments with dust and high humidity. The EF 200-400mm f/4L IS USM Extender 1.4X incorporates one fluorite and four UD lens elements, which provide excellent correction of chromatic aberration throughout the entire zoom range for professional quality images with high resolution, contrast and color fidelity, while a 9-blade circular aperture helps deliver beautiful, soft backgrounds. It utilizes inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing. And, with Power Focus mode, focus shifts are quiet and smooth, which is essential for filmmaking. Image stabilization is effective up to four shutter speed steps, with three image stabilization modes (standard, panning, and during exposure only) providing excellent results for a wide range of subjects. Optimized lens placement and coatings deliver outstanding color balance, while helping to minimize ghosting and flare. The lens is highly resistant to dust and water, enabling shooting even in harsh conditions. A ring-type Ultrasonic Motor (USM), along with optimized focusing algorithms and a high-speed CPU, is employed to deliver fast, precise, and quiet autofocus performance as well as full-time manual focus override. Really Amazing!
- Revised Optics for a lighter Super telephoto EF L Lens
- Continues strong tradition of image quality associated with L-Series lenses
- Super spectra coating (ssc) and Air sphere coating (asc) minimizes ghosting and flare
- Increased heat shielding measures for reliable, longer shooting outdoors
- Dust- and water-resistant with fluorine coatings for use even in harsh conditions
- Customizable Electronic Focusing Ring
The world’s lightest 400mm f/2.8 lens! Pairing a favored super telephoto focal length with a bright f/2.8 maximum aperture, the EF 400mm f/2.8L IS III USM is a Canon L-series optic well-suited for outdoor, wildlife, and sports applications. This version III of this prized lens features a lighter weight design along with a sophisticated optical layout and updated handling capabilities. A meticulous optical redesign means reduced flare and ghosting thanks to Super Spectra Coating (SSC) and Air Sphere (ASC), a shorter minimum focusing distance and additional comfort and portability. Advanced heat-rejecting paint helps you shoot for longer periods of time even under the hot sun. The fast maximum f/2.8 aperture enables extensive control over depth of field for isolating subjects using selective focus, and it also benefits working in difficult lighting conditions. Both Super UD and fluorite elements are used in the optical design to help reduce color fringing and chromatic aberrations for high clarity and color accuracy, and Super Spectra and Air Sphere Coatings have been applied to individual elements to suppress flare and ghosting for increased contrast and color neutrality when working in backlit conditions. In addition, the Canon EF 400mm f/2.8L IS III USM is characterized by its advanced five stop-effective Image Stabilizer system, which has three separate stabilization modes to suit various shooting applications. Combining sharp image quality with high operability, professionals and advanced photographers can take the EF 400mm f/2.8L IS III USM anywhere in order to capture masterful shots of nature, sports and beyond.
The world’s lightest 600mm f/4 lens! Cherished for sports and wildlife applications, the EF 600mm f/4L IS III USM is a Canon L-series super telephoto lens distinguished by its advanced, lightweight design, quick and intuitive handling, and high speed performance. Using fluorite, Super UD, and aspherical elements, both chromatic and spherical aberrations are kept to minimum in order to realize sharp, clear image quality with accurate rendering and color fidelity. Both Super Spectra and Air Sphere Coatings also contribute to color accuracy and helps to control flare and ghosting when working in backlit and harsh lighting conditions. In addition to its optical merits, the 600mm f/4 is also characterized by its advanced five stop-effective Image Stabilizer system, which has three separate stabilization modes to suit various shooting applications. Usability is further improved with a shorter minimum focusing distance, full-time manual AF and two easily selectable focus presets to help you quickly dial in the shot you want. Also complementing handling is a sophisticated ring-type USM, which provides quick, quiet, and accurate autofocus performance along with full-time manual focus override.
Sigma 150-600mm f/5-6.3 DG OS HSM Sports ($1,999): The Best Value Telephoto Zoom Lens! Designed and executed for the most demanding types of photography, the Sigma 150-600mm 5-6.3 DG HSM OS Sports lens is the new standard for telephoto zooms. Boasting 2 FLD glass elements (performance equal to fluorite) and 3 SLD glass elements, the Sigma 150-600mm Sport produces incredibly sharp images through the entire zoom range. Chromatic aberration is controlled at the long end of the focal length through the optimized design of the glass elements and a dust and splash proof construction ensures a high degree of durability. An updated optical stabilizer (OS) features an accelerometer for improved panning photography both horizontally and vertically, essential for birding, wildlife and motorsports photography.
Sigma 120-300mm f/2.8 DG OS HSM ($3,399): Excellent “Fast” Telephoto Zoom Lens! This Sigma 120-300mm f/2.8 lens is the first lens designed under Sigma’s new Sports line of lenses, making it well-suited for fast-moving subjects such as wildlife, nature, aviation, racing, and other similar situations. Featuring a dust- and splash-proof construction, this lens is ideally-suited for use in outdoor and adverse conditions. A built-in Optical Stabilizer provides a four-stop-equivalent reduction in the appearance of camera shake, helping to enable better handheld usage and low-light shooting. The Hyper Sonic AF Motor provides fast, smooth, and quiet auto focusing for faster performance that also benefits video recording.
|Canon EF 100-400mm f/4.5-5.6L IS II USM||$2,199||Amazon|
|Canon EF 200-400mm f/4L IS with 1.4x Extender||$10,999||Amazon|
|Canon EF 400mm f/2.8L IS III USM||$11,999||Amazon|
|Canon EF 600mm f/4L IS III USM||$12,999||Amazon|
|Canon EF 400mm f/2.8L IS II USM||$9,999||Amazon|
|Canon EF 400mm f/4 DO IS II USM||$6,899||Amazon|
|Sigma 150-600mm f/5-6.3 DG OS HSM Sports||$1,999||Amazon|
|Sigma 120-300mm f/2.8 DG OS HSM||$3,599||Amazon|
Best Travel and Walkaround Lenses for Canon EOS-1D X Mark III
- Focal Length and Maximum Aperture: 24-70mm, 1:2.8
- Lens Construction: 18 elements in 13 groups
- Diagonal Angle of View: 84° – 34°
- Focus Adjustment: Inner- focusing with USM
- Closest Focusing Distance: 0.38m/1.25 ft.
- Zoom System: Rotating Type
- Filter Size: 82mm
- Max. Diameter x Length, Weight: 3.5 x 4.4 in., 28.4 oz. / 88.5 x 113mm, 805g
The Canon EF 24-70mm f/2.8L II USM is versatile with a zoom range that covers focal lengths from landscapes to portraits, extremely sharp, and has fast, silent and accurate autofocus. Featuring the latest advances in optical lens design, it utilizes 1 Super UD lens element and 2 UD lens elements that help minimize chromatic aberration in the periphery at wide-angle as well as reduced color blurring around the edges of the subject. In addition, 2 types of aspherical lenses are combined to help reduce spherical aberration over the entire image area as well as through the full zoom range. Optimized lens coatings also help ensure exceptional color balance while minimizing ghosting. The lens is also equipped with a circular 9-blade diaphragm for beautiful, soft backgrounds. A ring-type USM and high-speed CPU with optimized AF algorithms enable silent and fast autofocusing. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. Built for the rigors of professional use as well as to meet the increased number of shots available with digital photography, it’s constructed with improved dust sealing and water resistance while fluorine coatings on the front and rear lens surfaces help reduce soiling, smears and fingerprints. A zoom lock lever locks the zoom position at the wide end for safe transporting while attached to an EOS DSLR camera over the shoulder. With fast, accurate autofocus and weathersealed construction, it’s difficult to find any really serious faults at all. This Canon EF 24-70mm f/2.8L II USM lens is suggested for professional and serious enthusiast photographers looking for the best possible optics in an ‘everyday’ standard zoom lens.
- Focal Length & Maximum Aperture: 35mm f/1.4
- Subwavelength Coating (SWC) helps significantly reduce lens ghosting and flare.Lens Construction: 14 elements in 11 groups
- Diagonal Angle of View: 63°
- Focus Adjustment: AF with full-time manual
- Closest Focusing Distance: 0.92 ft./0.28m. Increased maximum magnification (0.21x) help expand the range of expression, especially when capturing close-up subjects
- Filter Size: 2.8 in./72mm diameter
- Max. Diameter x Length, Weight: 3.2 x 4.2 in., approx. 26.8 oz. / 80.4 x 105.5mm, approx. 760g
For brilliant landscapes, portraits and close-up photography, look no further than the EF 35mm f/1.4L II USM. Characterized by its unique and advanced optical composition, the Canon EF 35mm f/1.4L II USM is a wide-angle L-series prime featuring a fast f/1.4 maximum aperture to suit working in difficult lighting conditions. With an effective focal length of 35mm on full-frame cameras, it helps capture beautiful detail with minimal chromatic aberration and color fringing thanks to Canon’s new BR Optics element. Its optical design incorporates a Blue Spectrum Refractive Optics element; a specially developed element that helps to nearly eliminate chromatic aberrations and color fringing for notable clarity and color accuracy. It also has a fast, 9-blade maximum aperture of f/1.4 for impressive performance in low-light conditions and beautiful, soft backgrounds. And, like other L-series lenses, the EF 35mm f/1.4L II USM has dust and water sealing. Versatile, speedy and elegant, the EF 35mm f/1.4L II USM will delight photographers looking for a bright, sharp and responsive lens for their most important images.
- 50mm focal length
- 1:1.4 maximum aperture
- 46 degree diagonal angle of view
- Seven Element Optical Formula
- Two high-refraction lens elements
- Gaussian Optics Eliminate Astigmatism
- Micro Ultrasonic Autofocus Motor
- Manual Focus Override
- Minimum Focusing Distance: 17.8″/ 0.45m / 1.5 ft.
- Filter Thread Diameter: 58mm
Standard lens featuring superb quality and portability. The Canon EF 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers and it is an excellent traveling companion to full-frame DSLRs. If you need more sharper and better performance in low light (for professionals), you can consider the f/1.2 version ($1,349). Offering a natural perspective along with a fast maximum aperture, the Canon EF 50mm f/1.4 USM is a versatile normal-length prime characterized by its bright f/1.4 aperture to suit working in low-light conditions and for producing shallow depth of field imagery. This lens also features a Gaussian optics design, along with two high refractive index elements, to control spherical aberrations and distortion for high sharpness and clarity. A Super Spectra coating has also been applied to suppress flare and ghosting for improved contrast and color accuracy when working in difficult lighting conditions. Complementing the optical design is a micro USM, which enables quick and quiet autofocus performance along with full-time manual focus control. Simply put, the Canon 50mm f/1.4 is an outstanding lens and really a great value.
Sigma 35mm f/1.4 DG HSM Art ($899): The Sigma 35mm f/1.4 DG HSM ART is a high-quality prime wide-angle lens that has a fast, floating inner focusing system and Hyper Sonic Motor for fast and accurate focus, advanced optics and pleasing bokeh, and a bright f/1.4 maximum aperture. It is especially well-suited for professional photographers and discerning photography enthusiasts for low-light photography, night photography, landscape photography, photojournalism, events, and wedding photography. And this Sigma 35mm f/1.4 art lens gets 89% overall score and Gold Award from the experts at DPReview – With fast silent focusing and solid build, its lower price makes it a compelling alternative to the camera manufacturers’ equivalents if you don’t need weather-sealing.
|Canon EF 24-70mm f/2.8L II USM||$1,799||Amazon|
|Canon EF 35mm f/1.4L II USM||$1,799||Amazon|
|Sigma 35mm f/1.4 DG HSM Art||$899||Amazon|
|Canon EF 50mm f/1.4 USM||$349||Amazon|
Best Portrait Lenses for Canon EOS-1D X Mark III
- Extreme f/1.2 maximum aperture.
- Fast, quiet autofocus.
- Super Spectra coatings.
- Circular aperture for smooth background bokeh.
- Integration with E-TTL II flash system.
- Soft case and lens hood.
Ultimate professional portrait lens! Canon calls it their “definitive portraiture lens”. The Canon EF 85mm f/1.2L II USM is a medium telephoto prime lens that is considered the ultimate professional portrait photography lens because of its extremely wide aperture, which results in a narrow depth of field and dramatic focus fall-off. The impressively fast f/1.2 maximum aperture affords a great degree of control over depth of field for isolating subjects and producing desirable selective focus effects. In addition to the portrait photography, the Canon EF 85mm f/1.2L II USM lens is also one of the best wedding lenses available and an excellent low-light lens for handholding at events. Its superb floating optical system and aspherical lens element produce outstanding quality images with minimal reflections, glare and ghosting. It’s the largest-aperture 85mm lens available, and is ideal for general low-light photography indoors without flash, as well as specifically for portraits. Many pros consider this the ultimate portrait lens.
- Large, Bright f/1.4 Aperture.
- Image Stabilization at up to 4* Stops of Shake Correction.
- GMo Aspherical Lens with Anti-reflective Coating Technology.
- Dust- and Water-resistant Professional-grade Design.
- Circular Aperture (9 blades) for Beautiful Bokeh.
- 33.5 in./85cm Minimum Focusing Distance.
- High-speed AF Using Ring USM Technology and Rear Group Focusing.
An image-stabilized, weather-sealed and better balanced 85mm! With a superb combination of optics, performance, advanced features and a durable design, the EF 85mm f/1.4L IS USM is an outstanding L-series medium-telephoto lens for portraiture applications. As Canon’s first 85mm L-series lens with IS capability, the Canon EF 85mm f/1.4L IS USM lens has an advanced optical formula with a large-diameter aspherical lens, plus a bright f/1.4 maximum aperture to deliver gorgeous, sharp and detailed images suitable for virtually any application. Its versatile combination of built-in image stabilization and its sophisticated design make it perfect for handheld use even in harsh environments. Ideal for portraiture and creating a natural sense of distance between the user and the subject with a variety of scenes and subjects, the EF 85mm f/1.4L IS USM is engineered to perform and deliver the results photographers desire.
Sigma 85mm f/1.4 DG HSM Art ($1,199): An almost perfect 85mm, professional portrait Lens! The Sigma 85mm f/1.4 DG HSM Art lens offers incredible image quality with outstanding class leading sharpness, excellent subject isolation and bokeh performance at a very reasonable price. It is offers the sharpest 85mm lens we’ve seen, and it is priced about two-thirds the cost of its competitors. In addition to the portrait photography, the Sigma 85mm f/1.4 DG HSM Art lens is also a fantastic choice for low-light events and wedding shooting. The only downside is it’s a little bit heavy and big and not extra weather resistant. But, it is really an impressive tool for portraits with a beautiful bokeh. Highly Recommended!
Tamron SP 85mm f/1.8 Di VC USD ($749): The world’s first 85mm fast-aperture lens with image stabilization! Tamron’s VC image stabilization system enables handheld use in dim light without flash – keeps the sharpness at hand, even in moody, dim light when shutter speeds tend to be longer. The fast f/1.8 maximum aperture also offers the perfect balance of subject sharpness and bokeh, that dreamy blur which separates your portrait subject from the background. There are many excellent 85mm lenses on the market, but at the very low cost $749 for an 85mm f/1.8 with IS and weather-sealing, I have to say this Tamron SP 85mm f/1.8 Di VC USD is really a great choice!
Canon EF 85mm f/1.8 USM ($349): Budget option with great performance! The Canon EF 85mm f/1.8 USM lens is highly practical and ideal for a range of applications including portraiture, events and landscapes. The wide-open f/1.8 aperture creates a very shallow depth of focus for gorgeous portraits and beautiful background bokeh. Additionally, a ring-type USM is employed to deliver quick and quiet autofocus performance along with full-time manual focus control. Really great value!
|Canon EF 85mm f/1.2L II USM||$1,849||Amazon|
|Canon EF 85mm f/1.4L IS USM||$1,599||Amazon|
|Sigma 85mm f/1.4 DG HSM Art||$1,199||Amazon|
|Tamron SP 85mm f/1.8 Di VC USD||$749||Amazon|
|Canon EF 85mm f/1.8 USM||$349||Amazon|
Best Macro Lenses for Canon EOS-1D X Mark III
- Focal Length & Maximum Aperture of 100mm 1:2.8
- Lens Construction is made up of 15 elements in 12 groups.
- Diagonal Angle of View of 23.4°
- Inner focusing system with USM.
- Full-time manual focus available.
- Closest Focusing Distance 0.99 ft./0.3m (maximum close-up magnification: 1x).
- Filter Size of 67mm.
- Max. Diameter x Length, Weight of 3.1 x 4.8 in./77.7 x 123mm, 22.0 oz./625g.
This is the first lens on the market to incorporate Canon’s new Hybrid Image Stabilization Technology. Hybrid IS effectively compensates for both angular and shift camera shake during close-up shooting. Offering superb image quality, fast and positive autofocus, and one of the most effective image stabilization systems, the Canon EF 100mm f/2.8L Macro IS USM lens is one of the very finest lenses we’ve seen, and it gets an amazing 92% overall score and Gold Award from the experts at DPReview. As a macro lens, this Canon EF 100mm f/2.8L Macro IS USM offers a life-size, 1:1 maximum magnification and an 11.8″ minimum focusing distance. Complementing close-up shooting, an Image Stabilizer is featured that minimizes camera shake by two stops at full 1:1 magnification, or up to four stops at lower magnifications for sharper handheld shooting. Also contributing to smooth and intuitive handling, a ring-type USM and internal focusing design offers quick, quiet, and accurate autofocus performance along with full-time manual focus override. Additionally, as an L-series lens, this 100mm f/2.8 is weather-sealed for working in inclement conditions. Primarily designed for close-up shooting, the Canon EF 100mm f/2.8L Macro IS USM is an excellent and versatile short telephoto prime that is also well-suited for portraiture and other mid-range subjects.
Tamron SP 90mm f/2.8 Di VC USD Macro ($649): Designed as a true macro lens, the Tamron SP 90mm f/2.8 Di VC USD Macro offers a life-size 1:1 maximum magnification ratio along with an 11.8″ minimum focusing distance to suit working with close-up subjects, and a Floating System is employed for consistent image quality and sharpness throughout the focusing range. VC (Vibration Compensation) image stabilization is incorporated into the lens’ design to minimize the appearance of camera shake by up to 3.5 stops for sharper handheld shooting in low-light conditions. The lens can be used particularly for macro photography as well as for portraiture by taking advantage of the fast F/2.8 aperture and remarkable bokeh capability.
Tokina atx-i 100mm f/2.8 FF Macro ($429): Being light-weight, compact, performing high resolution, fast aperture, low distortion, low falloff and beautiful soft bokeh, this Tokina atx-i 100mm f/2.8 FF Macro lens is extremely attractive tool for macro, portraits, landscapes, street art, commercial and general purpose shooting. The Tokina atx-i 100mm F2.8 FF Macro is a versatile mid-range auto-focus telephoto lens with excellent close focusing capabilities reaching life-sized (1:1) reproduction at 11.8 inches (30cm) from the sensor plane. The fast f/2.8 aperture makes it easy to focus in low light and renders soft beautiful bokeh, making it an excellent choice for portraits, landscapes, video, and small world photography.
|Canon EF 100mm f/2.8L Macro IS USM||$899||Amazon|
|Canon EF 100mm f/2.8 Macro USM||$599||Amazon|
|Tamron SP 90mm f/2.8 Di VC USD Macro||$649||Amazon|
|Tokina atx-i 100mm f/2.8 FF Macro||$429||Amazon|
Best Standard Zoom Lenses for Canon EOS-1D X Mark III
Highly recommended! Spanning a popular and versatile range of focal lengths from landscapes to portraits, the Canon’s EF 24-70mm f/2.8L II USM Lens is an advanced zoom lens designed for superb performance and high-end durability. Ranging from wide-angle to portrait length, this lens is also distinguished by its constant f/2.8 maximum aperture to benefit working in difficult lighting conditions and to afford greater control over depth of field. The lens is also characterized by its sophisticated optical design, which includes one Super UD element and two UD elements, which reduce color fringing and chromatic aberrations in order to realize a high degree of color accuracy and clarity. Three aspherical elements are also featured, and minimize distortion and spherical aberrations for improved sharpness. With fast, accurate autofocus and weathersealed construction, it’s difficult to find any really serious faults at all. The Canon EF 24-70mm f/2.8L II USM gets 87% overall score and Gold Award at DPReview and it is suggested for professional and serious enthusiast photographers looking for the best possible optics in an ‘everyday’ standard zoom lens.
Distinguished by its impressively fast design, the Canon EF-mount Sigma 24-35mm f/2 DG HSM is the world’s first full frame F2 zoom lens and it incorporates the latest Sigma technology, including an optimized autofocus (AF) algorithm for smooth, fast, and accurate focusing, as well as manual focus (MF) override functionality. Intended to replace a series of wide-angle primes, this 24-35mm zoom stands out due to its bright f/2 constant maximum aperture, which benefits both depth of field control as well as the ability to work in low-light conditions. This lens is also characterized by a sophisticated optical design, which incorporates several low dispersion and aspherical elements to greatly reduce color fringing and distortion throughout the zoom range. A Super Multi-Layer Coating has also been applied to individual elements in order to minimize flare and ghosting for greater contrast when working in strong lighting conditions. The groundbreaking aperture combined with the versatile wide-angle 24-35mm focal length allows photographers to easily replace three common lenses, the 24mm, 28mm, and 35mm, with one piece of gear. It’s ideal for close-up shooting, portraits and deep-focus landscape photography.
Tamron SP 24-70mm f/2.8 Di VC USD G2 ($1,199): Characterized by apt focusing speed and image stabilization, the Tamron SP 24-70mm f/2.8 Di VC USD G2 lens is a revised fast standard zoom covering a versatile wide-angle to portrait-length range. Bright f/2.8 constant maximum aperture affords consistent brightness throughout the zoom range, and benefits working in difficult lighting conditions. Also, 5-stop-effective Vibration Compensation helps to minimize the appearance of camera shake for sharper handheld shooting in difficult lighting conditions. Offering great colors, gorgeous bokeh, effective autofocus and image stabilization systems, the Tamron SP 24-70mm f/2.8 G2 lens is a compelling alternative to the much more expensive offerings from Canon.
Canon EF 24-105mm f/4L IS II USM ($1,099): Featuring a 24-105mm zoom range and a constant f/4 aperture, the EF 24-105mm f/4L IS II USM is ideal for travel & street, landscapes, portraits, sports and more, offering effective all-day performance for advanced photography and videography. It helps reduce ghosting and flare, and has improved peripheral brightness as well as a 10-blade circular aperture that helps deliver sharp, evenly illuminated images with gorgeous background blur. It even has an improved IS system for better handheld performance, especially in challenging light. Keep in mind that despite the image stabilization and fast auto focus, the maximum aperture of f/4 means that it wouldn’t perform well in low light condition. So professionals and those who want a walk around lens for travel and portraits with superior optics should consider the Canon 24-70mm f/2.8.
|Canon EF 24-70mm f/2.8L II USM||$1,799||Amazon|
|Sigma 24-35mm f/2 DG HSM Art||$999||Amazon|
|Tamron SP 24-70mm f/2.8 DI VC USD G2||$1,199||Amazon|
|Canon 24-70mm f/4L IS USM||$899||Amazon|
|Canon EF 24-105mm f/4L IS II USM||$1,099||Amazon|
Best Standard Prime Lenses for Canon EOS-1D X Mark III
- Ultra-large aperture for a narrow depth of field and soft background blur
- 50mm focal length
- f/1.2 maximum aperture
- 46° diagonal angle of view
- 1.48 ft. / 0.45m closest focusing distance
The Canon EF 50mm f/1.2L USM lens is a peerless standard lens featuring an ultra-large aperture for a narrow depth of field and soft background blur so loved by photographers everywhere, and it is now the fastest autofocus lens in its class, which makes it an essential tool for many professional and advanced amateur photographers. The large maximum aperture of f/1.2 allows this lens to produce shallow depth of field that softens the background and makes subjects “pop” out of a portrait. Photographers can also take advantage of higher shutter speeds to shoot in lower light and help prevent blurring caused by subject movement or camera shake. The lens is suitable for any shooting situation, with a lens coating and construction type that are optimized to minimize the ghosting and flare that frequently occurs when lenses are used with digital cameras. Every aspect of this lens exudes professional quality from its wide 72mm filter diameter to its dust and moisture sealed construction. Really Excellent and highly recommended!
- An f/1.4 maximum aperture provides clear imaging in low light situations and shallow depth of field
- Ultrasonic autofocus motor (USM) operation is fast, smooth and virtually silent
- Two high-refraction lens elements and new Gaussian optics eliminate astigmatism and suppress astigmatic difference
- Seven Element Optical Formula
- Gaussian Optics Eliminate Astigmatism
- Micro Ultrasonic Autofocus Motor
- Manual Focus Override
- Minimum Focusing Distance: 17.8″
- Filter Thread Diameter: 58mm
The Professional photographers would choose the f/1.2L version, but for most people, Canon 50mm f/1.4 is an outstanding lens and really a great value. Offering a natural perspective along with a fast maximum aperture, the Canon EF 50mm f/1.4 USM is a versatile normal-length prime characterized by its bright f/1.4 aperture to suit working in low-light conditions and for producing shallow depth of field imagery. This lens also features a Gaussian optics design, along with two high refractive index elements, to control spherical aberrations and distortion for high sharpness and clarity. It delivers a significantly better optical performance than all but the most extensive zooms, in a small, light and relatively inexpensive package. Offering superb quality and portability, the Canon EF 50mm f/1.4 standard lens is a terrific choice for both casual and professional photographers, and it is ideal for photographing landscapes and travel scenes as well as portraits and reportage.
Sigma 50mm f/1.4 DG HSM Art ($949): With a large 1.4 aperture, the Sigma 50mm 1.4 prime lens is a pro level performer for shooting everything including portrait photography, landscape photography, studio photography and street photography. A Hyper Sonic AF Motor, along with an optimized AF algorithm, produces quiet, smooth, and fast autofocus performance that benefits this lens’ use in a wide variety of situations. 13 elements in 8 groups allow for unsurpassed performance even at wide apertures and close-up photography is easily managed with a minimum focusing distance of 40cm. This Sigma 50mm f/1.4 DG HSM Art lens is ideal for many types of videography and photography, including portraits, landscapes, studio work and still-life.
Canon EF 50mm f/1.8 STM ($125): Budget option with great performance! Compact, lightweight and versatile, the Canon EF 50mm f/1.8 STM lens is extremely popular because of its normal focal length, bright, wide aperture and low price, and it is an excellent prime lens for portraits, action, even nighttime photography. Its bright maximum aperture of f/1.8 helps it not only to excel in low light, but also to capture gorgeous, sharp images and movies with beautiful background blur thanks to its circular 7-blade design. An updated lens arrangement with new lens coatings helps render images with excellent color balance, plus minimized ghosting and flare. Performance is brilliant, with a stepping motor (gear-type STM) to deliver near silent, continuous Movie Servo AF for movies plus speedy, smooth AF for stills. Offering sharp performance for the best in movies and stills, it’s a fixed focal length gem – the perfect lens for photographers and moviemakers to expand the creative possibilities with their EOS cameras.
|Canon EF 50mm f/1.2L USM||$1,449||Amazon|
|Canon EF 50mm f/1.4 USM||$399||Amazon|
|Sigma 50mm f/1.4 DG HSM Art||$949||Amazon|
|Canon EF 50mm f/1.8 STM||$125||Amazon|
|Canon EF 40mm f/2.8 STM||$199||Amazon|
Best Wide-angle Zoom Lenses for Canon EOS-1D X Mark III
- L-series ultra-wide zoom lens with an impressive 11mm starting focal length, delivering high-quality, expressive images.
- New optical design and the use of one Super UD element and one UD lens element helps significantly reduce chromatic aberration.
- Four aspheric lens elements help minimize distortion from the center of the image to the periphery and across the entire zoom range.
- Subwavelength Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting.
- Highly resistant to dust and water for amazing durability enabling shooting even in harsh conditions.
- Inner focusing, ring USM, a high-speed CPU and optimized AF algorithms for fast and accurate autofocusing.
- Circular aperture (9 blades) helps deliver beautiful, soft backgrounds.
- Minimum focusing distance of 11 in./0.28m (at 24mm) is ideal for shooting in tight spaces.
- Full-time manual focus allows manual focus adjustment while in AF Mode.
- Fluorine coating on front and rear lens surfaces helps reduce smears and fingerprints.
Ultimate Lens in ultra wide-angle photography! Best ultra wide-angle zoom lens! To experience the ultimate in wide-angle photography, the EF 11–24mm f/4L USM brings L-series construction and optics to the widest zoom lens Canon has ever made. With an expansive wide-angle range of 11-24mm, this is an ideal lens for landscapes, interior shots and unique perspectives on subjects close and far. One Super UD element and one UD element offer a significant reduction in chromatic aberrations while four aspherical elements help to minimize distortions throughout the zoom range and provide consistent edge-to-edge sharpness and illumination. A Subwavelength Coating (SWC) and Air Sphere Coating (ASC) significantly reduce flare and ghosting, while a 9-blade circular aperture diaphragm creates beautiful, blurred backgrounds. With a compact design that includes an integrated hood and compatibility with all EOS cameras, the EF 11–24mm f/4L USM is a must-have lens for photographers that demand excellent performance for truly expressive images anywhere.
- High performance L-series ultra-wide-angle zoom lens with constant f/2.8 maximum aperture.
- All-new optical design for significant improvements in outer and corner sharpness.
- Sub wave length Coating (SWC) and Air Sphere Coating (ASC) help to significantly reduce flare and ghosting.
- Three Aspherical and Two UD Elements.
- Highly resistant to dust and water intrusion, enabling shooting even in harsh conditions.
- Circular aperture (9 blades) helps deliver beautiful, soft backgrounds. Not an Extender Compatiblity.
- Lens Construction:16 elements in 12 groups.
- Filter Size: 82mm
Highly recommended, one of the best wide-angle zoom lenses Canon has ever made! The EF 16–35mm f/2.8L III USM is an indispensable ultra wide-angle zoom lens for professional and enthusiast photographers who demand superlative operation and performance, in virtually any condition. Its 16–35mm focal range provides superb control of perspective, helping you capture pictures and movies with amazing, dramatic compositions limited only by your imagination. Combining outstanding image quality, a fast, constant aperture and a rugged design, the EF 16–35mm f/2.8L III USM delivers eye-catching results whether capturing detailed, nuanced landscapes, dramatic interiors and much more. Both still and moving images can be captured with consistent edge-to-edge sharpness, improved peripheral illumination and reduced distortion at extreme wide angles – especially important when using SLR cameras with full-frame sensors. Engineered with high-resolution photography and videography in mind, the EF 16–35mm f/2.8L III USM provides the optical performance necessary for critical applications, while delivering the renowned function and feel you’ve come to expect from Canon’s celebrated L-series lenses. The EF 16–35mm f/2.8L III USM achieved an impressive 91% overall score and Gold Award from the experts at DPReview and it is an ideal lens for professional photographers and enthusiasts who like landscape, wildlife, wedding and architectural photography.
- Focal Length: 12 – 24mm
- Aperture Range: f/4 – f/22
- Five FLD Elements, One SLD Element
- Three Aspherical Elements
- Hyper-Sonic Motor Focusing (HSM)
- High Grade Aspherical Glass to control distortion
- Constant F4 through entire zoom
- Updated AF system with 1.3X Torque
- TSC Material, Brass Bayonet Mount
Amazing Lens! Especially for the price – $1000 less than the Canon 11-24mm model. Covering a useful variety of ultra-wide focal lengths, the Sigma 12-24mm Art offers an optimal package of center-to-edge image quality, minimized distortion, and minimum focusing distance, and it is characterized by its advanced design to greatly reduce distortion for a high degree of sharpness. A series of low dispersion and aspherical elements minimize both chromatic and spherical aberrations throughout the zoom range in order to achieve high clarity and color accuracy. A Super Multi-Layer Coating also helps to suppress lens flare and ghosting for color-accurate, contrast-rich imagery in a variety of lighting conditions. Offering outstanding image quality from the center to the edges without any distortion, this Sigma 12-24mm f/4 DG HSM Art lens is perfect for landscape photography, architecture photography, interior photography and much more.
Tamron SP 15-30mm f/2.8 Di VC USD G2 ($1,299): Tamron SP 15-30mm f/2.8 Di VC USD G2 lens is really an attractive, more affordable alternative to similar wide-angle zoom lenses from Canon and Nikon. While the stabilization, wide aperture and ultra-wide focal length range are great features, Tamron SP 15-30mm f/2.8 delivers excellent image quality and it’s much cheaper than Canon EF 11-24mm f/4L USM. Equipped with aspherical and low dispersion glass elements layered with three types of specialized lens coatings, the lens reduces both chromatic and spherical aberrations and minimizes flare and ghosting for clearer, more vivid, and more accurate image details. Bright f/2.8 constant maximum aperture affords consistent brightness throughout the zoom range, and benefits working in difficult lighting conditions. Its Vibration Compensation (VC) image stabilization technology reduces up to 4.5 stops of camera shake for sharper images and smoother videos, even when shooting handheld or when utilizing slow shutter speeds. A great wide-angle zoom lens with affordable price.
Canon EF 17-40mm f/4L USM ($549): The Best Value Wide Angle lens! Canon EF 17-40mm f/4L USM lens is the best option for those who want to save money for a wide angle lens. The lens is sharp, precise focused, and covers a variety of focal lengths for landscapes and other wide-angle photography and it has a decent shooting quality in low light. Additionally, this lens is weather-sealed for use in trying environmental conditions. It is also considerably cheaper and lighter than the Canon 16-35mm. The biggest downsides of the Canon 17-40mm are its maximum aperture of f/4 and no image stabilization.
|Canon EF 11-24mm f/4L USM||$2,999||Amazon|
|Canon EF 16-35mm f/2.8L III USM||$2,199||Amazon|
|Sigma 12-24mm f/4 DG HSM Art||$1,599||Amazon|
|Tamron SP 15-30mm f/2.8 Di VC USD G2||$1,299||Amazon|
|Canon EF 16-35mm f/4L IS USM||$999||Amazon|
|Canon EF 17-40mm f/4L USM||$549||Amazon|
Best Wide-angle Prime Lenses for Canon EOS-1D X Mark III
- Focal length is 14mm, maximum aperture is 1:2.8 and has gel filter holder at rear of lens
- Lens construction is 14 elements in 11 groups
- Closest focusing distance is 7.9 inches
- Diagonal angle of view is 114°
- Dust and moisture proof built in lens hood
- Aperture Range: f/2.8 to f/22
- Two UD Elements, Two Aspherical Elements
- Super Spectra Coating
With superb optics and almost no distortion, this Canon EF 14mm f/2.8L II USM wide aperture lens is the ideal choice for architectural, wedding, or other pro-level photography applications and its moisture proof and dustproof sealing helps to ensure its durability. Its relatively bright f/2.8 maximum aperture is well-suited to working in difficult lighting conditions and also makes this lens an ideal choice for astrophotography. The optical design incorporates two aspherical elements and two ultra-low dispersion elements to control both spherical and chromatic aberrations in order to realize a high degree of sharpness, clarity, and color accuracy. A ring-type USM and internal focusing mechanism also afford quick, quiet, and accurate autofocus performance, as well as full-time manual focus override. An impressive ultra wide-angle prime, highly recommended!
- Focal Length & Maximum Aperture: 24mm, 1:1.4
- Lens Construction: 13 elements in 10 groups
- Minimum focus Distance is 0.8ft
- Diagonal angle of view: 84°
- Large-diameter aspherical lenses
- Circular aperture
- Filter Size: 77mm
- Two Aspherical and Two UD Elements
- Sub Wavelength Coating
Blending a favored wide-angle focal length with a bright maximum aperture, the Canon EF 24mm f/1.4L II is ideal for photojournalists, landscape and event photographers, and anyone who enjoys taking images from a wider perspective. It features two high-precision, large-diameter aspherical lenses for sharpness across the sensor, even in peripheral areas of full-frame sensors. Besides the optical attributes, this lens is also distinguished by its fast f/1.4 maximum aperture to benefit working in low-light conditions for controlling depth of field. Additionally, this lens sports a ring-type USM for quick and quiet autofocus performance and full-time manual focus override. Offering fast and accurate auto-focus, nice bokeh, superior build quality and super-sharp images, the Canon EF 24mm f/1.4L II USM is really an amazing wide-angle prime lens!
Sigma 20mm f/1.4 DG HSM Art ($899): With a focal length of 20mm and F1.4 aperture, this Sigma 20mm f/1.4 DG HSM Art lens delivers outstanding large-aperture brightness and bokeh. Comprised of 15 elements in 11 groups, the lens design includes two “F” Low Dispersion (FLD) elements, five Special Low Dispersion (SLD) elements, and two aspherical elements to significantly reduce chromatic and spherical aberrations, as well as limit distortion for clean, sharp, and evenly illuminated imagery. The combination of advanced optics and optimized lens power distribution minimizes spherical aberration, axial chromatic aberration and field curvature, producing outstanding image quality. The wide angle and outstanding image quality make this lens great for seascape, cityscape, and astrophotography, as well as for photos in low light, indoor photography, portraits, and event and wedding photography.
Sigma 14mm f/1.8 DG HSM Art ($1,599): Great Lens! The Sigma 14mm f/1.8 DG HSM Art Lens for Canon EF is the world’s first 1.8 prime lens at the 14mm focal length. Offering excellent peripheral brightness, this Sigma 14mm f/1.8 Art lens delivers outstanding image quality from the center to the edges. Even at the 14mm ultra-wide-angle of view, F1.8 brightness makes possible a very shallow depth of field with the subject standing out dramatically against a bokeh background. It’s the unique mode of expression that only a large-diameter lens can deliver. Ideal for shooting architecture, astrophotography, documentary and landscapes.
Rokinon AF 14mm f/2.8 ($599): Blending an autofocus design with a desirable ultra-wide field of view, the Rokinon AF 14mm f/2.8 lens is a bright, wide prime well-suited for landscape, nature, and astrophotography applications. A sophisticated 15 elements in 10 groups optical design incorporates one extra-low dispersion element, two aspherical elements, and four high refractive index elements to suppress chromatic and spherical aberrations to achieve high sharpness, accurate color rendering, and even brightness from edge to edge. Complementing the optical design, the autofocus system makes use of a lightweight focusing group for quick and quiet performance that benefits both photo and video applications.
|Canon EF 14mm f/2.8L II USM||$2,099||Amazon|
|Canon EF 24mm f/1.4L II USM||$1,549||Amazon|
|Canon EF 24mm f/2.8 IS USM||$599||Amazon|
|Sigma 20mm f/1.4 DG HSM Art||$899||Amazon|
|Sigma 14mm f/1.8 DG HSM Art||$1,599||Amazon|
|Rokinon AF 14mm f/2.8||$599||Amazon|